The really fulfilling factor about Ibanez is that when you go returning to the ’70s, they created everything. I had a really excellent Ibanez Stratocaster duplicate at one factor. I had a Telecaster Customized duplicate, too. It’s type of one-stop purchasing.
The one instrument I’d really like to get at some factor is a Barney Kessel. I’ve tried them in classic stores and they perform really well. I always believed the Gibson Byrdland was awesome, but I tried one and the entry to the higher frets was awful. The Barney Kessel actually has really excellent entry to the higher frets. The activity on those I’ve tried has been really excellent, and it looks awesome. Though it’s a jazz music instrument, it’s extremely sharp. So to me, it has type of a Satanic steel feel to it. I’m just terrified of it because I know it’s empty, and I know if you got it through any type of amount or distortions, it will be peaceful like a load up of baby wolves. I’m terrified to pay that much cash for anything I cannot use!
I do gather some results. I use the ADA flanger a lot. It’s definitely one of the most awesome classic pedals. I’ve always been a large Pat Travers fan. Way during the delayed ’80s, I was always looking in the Buyer, which is the L.A. document, and I grabbed three or four ADA flangers extremely inexpensive – all from the “golden era.” But even then, there was a distinction between them, and this one seemed to audio a little better than the others. I have it on my pedalboard now. It’s my most essential your pedal.