The third beginning Strat-style duplicate came from Hoshino Gen Gakki as the Ibanez No. 2020 Power Instrument. This was generally a wide-bodied, curved Strat with a couple of chrome-covered single-coil trucks and a vibrato. Most had Strat-style leads, but a few have been seen with Teisco “checkmark” headstocks. The No. 2020 was signed up with in ’71 by the Design No. 2375 Strato. This originally had three Tele-style trucks and a quit tailpiece but easily modified to be a more conventional vibrato-equipped Strat duplicate. These were created through the duplicate era until around ’78.
By delayed ’72, St. Louis Songs, which would be another big gamer in the duplicate activity, had presented its Avenger Sequence of Electra instruments. These were full-blown Strat duplicates with walnut fingerboards in dark, sunburst, and lotion completes.
It was also in ’72 that Kasuga started promotion its duplicate instruments in The Songs Deals journal – and the duplicate era started to really conquer in. While the primary concentrate of the duplicate era was on Gibson design instruments – being more costly, they provided more edge to undercut – but Strats came in for their discuss of duplicating. Even Guild bought some of the Kasugas, such as Strats, and promoted them as Madeira instruments starting in ’73. Strats were duplicated by organizations as various as Aria (Aria Pro II after ’75) and Hondo throughout the primary aspect of the ’70s, almost all of them produced in Asia.